The Best Films of the Decade
Kevin Jukkola - Entertainment Editor
Issue date: 12/3/09 Section: Entertainment
Over the past decade, the cinematic landscape has been forever altered by the exquisite craftsmanship of talented filmmakers whose unique visions have continuously inspired various audiences, both intellectually and emotionally. The impact of these artists' work is immeasurable because these movies must be analyzed through their perpetual impression on the culture and each individual filmgoer, rather than some arbitrary box office figure. Personally, I believe the future of cinema is in great hands, with young filmmakers continuing the pursuit of their initially stellar careers and legends creating masterpieces that enhance their foundation in the history of movies. Although many courageous and revolutionary films affected me immensely in ways that previously seemed impossible, there were ten movies that did this better than all the others. Here are the ten best films of the decade, in order of preference.
1. Monster's Ball (2001)
Easily the best and most emotionally challenging film of the decade, "Monster's Ball" is a harrowing and hopeful story of two people desperate to make a connection with immense obstacles that seem impossible to overcome. Halle Berry and Billy Bob Thornton, in two great performances as Leticia and Hank, never deviate from the consistently somber, yet optimistic tone. The story unfolds revelations beautifully, with tragedy being the common denominator that could eventually lead to a discovery of hope. Marc Forster's film makes stark and unambiguous statements about racism, poverty and class, the death penalty, and the omnipresent nature of abuse without lecturing or struggling for authenticity. Through their experiences, these people become better as exhibited by subtle gestures sometimes known only to them. The ending shows the growth in Leticia and her newly found resolve to choose the possibility of perpetual happiness over the certainty of never-ending loneliness.
2. The Wrestler (2008)
Darren Aronofsky's film is a flawless masterpiece that follows the tumultuous times of Randy "the Ram" Robinson, played by Mickey Rourke in perhaps the best individual performance of the decade. Randy is attempting to reconnect with his daughter, cherish a flourishing relationship with a local stripper, and find a peaceful balance with the ability to change but not the desire. The handheld camera and gruff look illustrates the harsh and unforgiving realities these characters inhabit, and the terrific performances enhance the vivid pollution of these people's souls. These people are emotionally naked to the audience, and every moment is significant in recording the inevitable march to judgment day when Randy's trespasses will be catalogued with nobody standing in his corner.
1. Monster's Ball (2001)
Easily the best and most emotionally challenging film of the decade, "Monster's Ball" is a harrowing and hopeful story of two people desperate to make a connection with immense obstacles that seem impossible to overcome. Halle Berry and Billy Bob Thornton, in two great performances as Leticia and Hank, never deviate from the consistently somber, yet optimistic tone. The story unfolds revelations beautifully, with tragedy being the common denominator that could eventually lead to a discovery of hope. Marc Forster's film makes stark and unambiguous statements about racism, poverty and class, the death penalty, and the omnipresent nature of abuse without lecturing or struggling for authenticity. Through their experiences, these people become better as exhibited by subtle gestures sometimes known only to them. The ending shows the growth in Leticia and her newly found resolve to choose the possibility of perpetual happiness over the certainty of never-ending loneliness.
2. The Wrestler (2008)
Darren Aronofsky's film is a flawless masterpiece that follows the tumultuous times of Randy "the Ram" Robinson, played by Mickey Rourke in perhaps the best individual performance of the decade. Randy is attempting to reconnect with his daughter, cherish a flourishing relationship with a local stripper, and find a peaceful balance with the ability to change but not the desire. The handheld camera and gruff look illustrates the harsh and unforgiving realities these characters inhabit, and the terrific performances enhance the vivid pollution of these people's souls. These people are emotionally naked to the audience, and every moment is significant in recording the inevitable march to judgment day when Randy's trespasses will be catalogued with nobody standing in his corner.
Viewing Comments 1 - 2 of 2
Eric
posted 12/30/09 @ 9:13 PM CST
Crash? Totally overrated. Slumdog Millionaire? Insulting. "I want to make a movie about poverty in India-- but not really." Certainly one of the most misunderstood pictures of he decade- a real piece of trash. (Continued…)
Eric
posted 12/30/09 @ 9:16 PM CST
Sorry that was a little mean!
You're a student-- I didn't realize. Ignore the peanut gallery.
But do check out Almodovar and Haneke.
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